#48 frames per second audio dsync mp4

The issue that Lightworks doesn't work well with variable frame rate material is a separate issue. A 'B' frame still needs to be decoded no matter how far it is from an 'I' frame. Reducing the GOP length doesn't reduce the need to decode for frame by frame. That is the advantage of transcoding to an edit friendly codec before import. The difficulty with working in long GOP material for editing is the load imposed to constantly decode the material in order to perform frame by frame editing. Interleave, preload duration : 39 msMediainfo for the muxed file: Interleave, duration : 10 ms (0.30 video frame) I went back to the drawing board and tried keyframes every 15, 30 and 60 frames, which all leads to audio desync. But the issue is that using only keyframes leads to extreme audio desync within lightworks (varying from a few ms to half a second). I went online and did some research and figured out that playback and editing should be easier for Lightworks if I used only keyframes (every frame is a keyframe). At this point I was using keyframes every 150 frames (every 5 second of recording). When imported the files played back slowly and oftentimes stopped alltogether with audio playing in the background.

#48 frames per second audio dsync mp4

avi, so I'm using avidemux to mux into an MP4 file for editing.

I figured out that this was not possible as it records to an. I was hoping to edit these files directly in Lightworks. My capture method is AMD APP H264 encoder which gives a quite good quality/space ratio. I'm using Bandicam to record game footage.

I wanted to put this in the misc section to not clutter the import/export section.